Venue: Shooting spot of Kandasaamy
Event: Announcement of the first Indo-Mexican movie
In a first move of its kind, producer Thanu and Mexican producers are all set to team up to produce the first Indo-Mexican film. This film will star artists from Kollywood and
Monday, February 18, 2008
Vikram in an Indo-Mexican post Kandasaamy
Now, Vijay the Producer
‘Ilaya Thalapathy’ Vijay has decided to produce movie soon after finishing ‘Kuruvi’ and
Katrina out of Ajith`s Egan?
The latest buzz doing rounds in Kollywood is that Katrina Kaif is out of Ajith`s film Egan. She wants to concentrate on her current Hindi films at hand and does not want to venture out of Bollywood for the time being. This leaves shriya as the lone choice for now, but she has earned the wrath of Ajith, after appearing in an item number in the Vaidvelu starrer, Indiralogathil na azhagappan and he seems adamant in casting her.
Tuesday, February 12, 2008
Monday, February 11, 2008
Yaaradi Mohini Songs Review
Everything seems to fall in place for Kollywood`s ‘Bruce Lee’ Dhanush. After the stupendous success of Pollavadhavan, he is back, this time with ‘Yaaradi Nee Mohini’. This film is a remake of a super hit Telugu film directed by his brother Selvaraghavan. In this film, Dhanush is paired with sexy Nayanthara. The music for the songs is given by Yuvan Sankar Raja. All songs are nice and are in line with expectations. Topping the list is ‘Oh Baby’ song, followed by ‘Nenjai Kasaki’ song. Now that all songs are deemed to be hits, all lies in the hands of Dhanush to ensure that the film is a hit.
Free Download of Yaaradi Nee Mohini Songs
Oru naalukkul
Engeyo partha mayakkam
Oh Baby
Venmegam Punnagai
Nenjay Kasakki
Wednesday, February 6, 2008
Ajith`s next film - A Gautam flick?
Billa star Ajith is all set to act in a film directed by renowned director Gautam Menon after he finishes Raju Sundram`s film. Ajith is now back in Chennai spending time happily with this child Joan, after shooting for this film in
Friday, January 25, 2008
Ash in ROBOT!!
It is almost certain that Aishwarya Rai is going to act with 'Superstar' Rajnikanth in Shankar`s forthcoming project ROBOT as heroine. Ash herself revealed this to the press during an event to promote lux brand of soaps. She is looking forward to the release of 'Jodhaa Akbar', that stars her with 'Krrish' star Hrithik. The magnum opus directed by Asutosh Gowarikar is to be released on Feb 15. Aishwarya Rai has also worked with Shankar a decade earlier in Jeans that fetched her, her first filmfare award in south. After jeans happened she acted in Rajiv menon directed Kandukonden Kandukonden with Ajith. After this it’s the first time Ash is going to act in a Tamil film. Shankar had earlier approached her to star in his Sivaji, but it was not to be! After so many attempts Rajini has finally succeeded in getting her to star opposite him. Robot that will be released simultaneously in Tamil, Telugu and Hindi will give a big boost to her career that went without a hit last year. Well, everything seems to fall in place for her now! Watch this space for more.
Saturday, January 19, 2008
Wednesday, January 16, 2008
WALT DISNEY TO PRODUCE KAMAL`S NEXT FLICK
U.S film conglomerate Walt Disney has approached 'Ulaganayagan' Kamal Hassan for producing his next venture 'Marmayogi'. Speculation is rife that Kamal will soon fly to
It is for this film that Kamal has grown a beard and scripting for the film is on in full speed. The film has storyline representing the seventh century. The shooting of the film is slated to started by july this year. This film is bound to take Kamal places especially with walt disney producing this venture. Walt disney productions have long been searching for a good script to venture into kollywood. Though they have been co-producing a few films in the bollywood, they did not venture into south but Kamal script seemed to have impressed them. In all likelyhood the two superstars of kollywood are sure to take
Kaalai - Review
This is Tarun Gopi’s second venture after ‘Thimiru’ and has been awaited with a lot of hype. Tarun Gopi, in his second venture ‘Kaalai’, has roped in young and happening Silambarasan and this has triggered the anticipation further. Tarun Gopi has worked out a script that has lot of twists and turns. The director has different threads, cleverly interwoven, to provide an engaging fare on screen. The initial scenes lead you towards a particular direction but a few other avenues open as the film moves on. Tarun keeps on surprising you right from the first scene, when Lal (Deputy Police Commissioner) is introduced as an auto driver. The surprises continue with other characters getting introduced. The confusion over the name Jeeva makes an interesting suspense as to who is against whom and why. Silambarasan is introduced in a typical way with a fight. A song, in which Nila sizzles along with white skinned babes, follows soon to make the introduction complete. Meanwhile the build up to Silambarasan’s character is made with much hype. You are amused to see everyone showing much respect to him as if he is the prince of a kingdom. Later, the mystery is revealed, when the Theni track featuring Seema, the godmother of Teni, is told. Silambarasan is determined to revenge for her death. The killer is the Deputy Commissioner. Incidentally (predictably?) his daughter loves the hero. The first half moves on with deftly playing with the confusion on the name and the second half shows how the all powerful hero completes his mission. Meanwhile you get to see some gals including the beautiful and curvaceous Vedhika dancing around with the Simbu, a smart dancer, in skimpy dresses. Tarun Gopi is successful in narrating the story with speed despite many loopholes and logical weaknesses. The way he has clubbed the various threads is commendable. However, many scenes resemble ‘Thimiru’. The hero coming to the city in the disguise of a student, a girl sending a troupe to catch him, and the fight sequence in bus stand have striking similarities with ‘Thimiru’. Moreover, the narrative is too loud and it lacks finesse. The hunting game becomes redundant after a point. The young director must think new ways of approaching the action films. Silambarasan handles the ‘omnipotent hero’ character with confidence. He works hard in stunt scenes but looks less convincing while taking on the hefty villain in the climax. Dancing is his forte and he hasn’t disappointed in the area. But he must seriously think over doing the stereo type action roles if he wants to develop his career as a multi dimensional hero.
Vedhika announces her arrival as the potential glam girl of 2008. The girl, with a beautiful and innocent face, has the right figure to take up the glamour roles. Seema is quite impressive as the godmother. She has succeeded in bringing out the power wielded by her through her eyes and body language. Lal’s performance is emphatic. But he looks uncomfortable in police dress. Sangeetha stands out in a meaty role with her powerful display of emotions. Music by G.V. Prakash is just above average. A couple of songs featuring Simbu and Vedhika are good.
The judgement: The director has given us an entertaining film but fails to make an impact.
Sunday, January 13, 2008
Secret behind Vikram`s new avatar
Another Rajini movie?
Saturday, January 12, 2008
Movie Review: Halla Bol is too idealistic
In Halla Bol Ajay Devgan plays Sameer Khan, a shallow Bollywood superstar who's forced to question who he really is when he witnesses a gruesome murder first hand, and realises the culprits will get off scot-free because nobody -- including himself -- will testify.
A scathing comment on society's apathy and indifference towards other people's problems, Halla Bol tends to be too simplistic, too idealistic and in the end too preachy to really make much of an impression.
The film's unarguably well-intended and has its heart in the right place, but it's nothing like any of Santoshi's best films because it's got a severely flawed screenplay, and a narrative that's straight out of the eighties.
Once a master storyteller whose screenplays served as guidebooks for aspiring screenwriters, it is ironically Santoshi's script for Halla Bol that's the root cause of all the problems here. The film's first half is too long and yet when you leave the hall for a breather during interval, you can't help feeling like the story's barely unfolded.
Santoshi takes way too long to establish Ajay Devgan's character, going into elaborate scenes to convey what we've understood in the first ten minutes already. Worse than that, the director takes too many cinematic liberties to get out of tricky screenplay situations, and as a result the film comes off looking way too contrived.
How do you explain that scene in which the protagonist's mentor, Pankaj Kapur, turns up suddenly in a truck, no less, to save the fellow from being crushed by the villain's henchmen under the wheels of another truck?
It's an implausible scene and doesn't fit in this film, in fact it's a scene straight out of the Transformers movie. It's ridiculous how we're expected to believe that a girl who sold a kidney to afford legal fees for fighting the case against her sister's murderers, would suddenly do a volte face in court, even under maximum pressure.
In all fairness, Halla Bol does have its share of dramatic moments that'll instantly remind you of the Santoshi we're all familiar with - that scene in which Vidya Balan, playing Devgan's wife gives the media a fitting reply when her husband's badgered with uncomfortable questions.
Or then that scene in which Ajay Devgan relieves himself on the floor of the corrupt politician's home -- these are clap-traps, and Santoshi knows exactly how and when to use them.
In the end, despite its best intentions, Halla Bol fails to drive its point home, and it's a pity because the film boasts such a brave performance by Ajay Devgan. I say brave because the actor sticks his neck out and takes on a character that few leading stars would have the courage to play.
Ten, perhaps twelve years ago Halla Bol may have connected with an audience raised on a staple diet of melodramatic films, but today, it's just a blast from the past. So I'm going with two out of five and an average rating for all this hullaballo over Halla Bol.
Taare Zameen Par moves ADVANI
Friday, January 11, 2008
SRK is B'wood's top tax payer, Akshay second on list
The actor is reportedly the highest income tax payer for the second year in a row with an advance tax payment of Rs 27 crore that makes his income over Rs100 crore.
While SRK tops the list, the man with midas touch who had four successive hits in 2007 - Akshay Kumar comes a far second for having to shell out Rs 7 crore as taxes.
And if you were to put the whole Bachchan khandaan together then Abhishek and Aishwarya Rai Bachchan along with the Big B emptied out around Rs 7.1 crore as taxes.
The other Khan to figure in this list is - Aamir Khan with Rs 3 crore.
But the one name that stands out in the list is that of singer and music director Himesh Reshammiya, after raking in the moolah for his surprise hit Aap Ka Suroor, Himesh will be shelling out Rs 2.1 crore for the government's coffers this year.
So if you had any doubts about Bollywood booming then we are sure this list would dismiss that altogether.
TALKING TAX: Shah Rukh paid an advance tax of Rs 27 crore, which makes his income over Rs100 crore.

